Paloma Kop

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Here are some things I've been up to. To stay updated, subscribe to my email newsletter, or visit my now page!

2023 Year in Review

Portrait of me in front of a scenic overlook

I've never done this sort of post before, but so much has happened this year that I feel a need to take one last look over my shoulder before 2023 is over. This year, I made twice the average number of posts in the "news" section of my website, because this year has been full of activities. Here are some of them:

  • Made myself a new artist website (this very place you're visiting now!) with hand-coded HTML and CSS; it took a long time but it was very fun and I learned a lot

  • Helped start Polyphase Portal, a cooperatively-run online educational space with our own self-hosted infrastructure (running open-source software for our website, video classrooms, chat, and wiki)

  • Attended my third vipassana meditation retreat, and finished a seven month, 200-hour yoga teacher training, which not only prepared me to teach others but also helped me evolve my own yoga practice

  • Left my corporate software development job of the last 5 years, and managed to scrape by for 8 months thus far without a "day job"

  • Side note: despite being part of a mass media conglomerate, my team there was small and scrappy, and we did some cool stuff together. Hats off to the great folks I worked with.

  • Left Brooklyn, where I've lived off and on for much of my adult life, and wrapped up Phase Space, which was run out of the basement of our apartment there

  • Bought a 1988 Chevy van with Andrei and spent 5 months traveling across the US together

  • Did 3 audiovisual performances and 2 artist residencies

  • Co-led 12 in-person video art workshops and demonstrations across the country

  • Camped in many national parks and other public lands, experienced many different biomes and landscapes; learned to identify a bunch of new plants

  • Returned to Catskill Mountains of upstate NY, where I grew up and then left 12 years ago, with a new appreciation for its vibrant forests

  • Started — and am still starting — a small business: Moon Ark Studio (with 4 clients so far and counting)

This year has been alternately fun, exciting, hectic, exhausting, and immensely fulfilling in a way I have not quite experienced before. And the way things are going, it seems there will be many more adventures in store in the coming year. Thanks for following along, and I wish you a happy old year, in the last moments before a new one begins.

ELMET BRAE Compilation Release

Elmet Brae Compilation cover art by Rostiger

November 20th was the release of Elmet Brae, a community compilation of soundscapes/ambient/noise/drone from Merveilles Town members and friends. It includes an ambient piece I recorded while traveling in the national forests of the northwestern US, titled Artemisia Grove.

The online community of Merveilles Town has been a calm, creative haven for me on the internet, and a place of mutual inspiration and encouragement, since I joined the mastodon server in 2022. It has been lovely to listen to everyone's musical contributions to this compilation and appreciate the town's unique personality and atmosphere.

Shout outs to Orllewin for organizing the project, Bad Diode for mastering, Rostiger for the visual artwork, and to all the sonic artists and musicians who contributed.

🌐 Find out more: orllewin.github.io/elmet_brae/EB01

💿 Download FLAC: orllewin.itch.io/elmet-brae-eb01-the-land

🔈 Listen on Bandcamp: beldamrecords.bandcamp.com/album/elmet-brae-the-land

SYNTHETIC FOREST at Coaxial

Synthetic Forest performance/installation at Coaxial

During the last week of October, Andrei and I did an artist residency at Coaxial Arts in Los Angeles as Phase Shift Collective. During our our time there, we created an installation/environment which also served as our stage and setup for a live performance, titled Synthetic Forest.

The concept was inspired by the time we spent camping in national forests during our five-month road trip across the US. Throughout our travels, we made video and sound recordings in nature, which we sampled and remixed in the performance. We wanted to create an environment which combined materials from the natural landscape with the synthetic elements of our electronic sound and video processing techniques. In our installation, we used real and synthetic plants and moss, chalk on the floor, overhead projectors, CRT screens, and a fog machine.

Andrei performed live video using a combination of liquid light show techniques, camera feedback, footage from our walks in the forest, and gravity_waaaves, a video processor/frame buffer device they created.

I performed quadraphonic sound with field recording samples, a foley box containing dried leaves, bells, a kalimba and an AM radio, synths, and granular and spatial processing. It was my first time performing music in quad, so it was exciting to create an immersive sonic landscape with Coaxial's multichannel speaker setup.

I've known about Coaxial for a long time, and it was really cool to finally get to be there in person. Many thanks to KA, Chloe, Eva, and Brock for their help and hospitality. We look forward to visiting again in the future!

Here is a recording of our performance:

24:49 | Watch on: Youtube Peertube

Installation/performance setup Front windows of coaxial Me performing sound Andrei performing video Performance Installation/sound performance setup Video performance setup Sound performance setup Overhead projector installation CRT installation Me and Andrei Me in performance Rehearsal selfie Close up on part of my sound setup Me and Andrei in front of Coaxial

Artist Talk at CalArts

Artist Talk at CalArts

On October 23, we did a Phase Shift artist talk/workshop at California Institute for the Arts in Santa Clarita, CA. We visited a class called Creative Technology Forum with professor Josephine Shetty. Andrei and I took turns showing some of our individual artwork and collaborations, and then the students tried out some of our video feedback setups in an interactive demo at the end.

I was excited to see that the students in this class were very engaged with their own unique projects and art practices. They asked insightful questions which showed that what we were doing was relevant to their own work. I was impressed with the level of initiative and self-direction of the students, and the level of creative cross-pollination that seemed to be taking place within the class.

Many thanks to Josephine for having us in her class and to Michael Bailey, audiovisual artist and CalArts student, for inviting us!

Workshop/Talk at Indexical

Workshop at Indexical in Santa Cruz

On October 19, we led a Phase Shift workshop and artist talk at Indexical in Santa Cruz, with special guests Allen Riley and Denise Gallant. It was wonderful to see Allen, who is a good friend and former Brooklyn neighbor, now working on his PhD at UC Santa Cruz. It was also my first time meeting Denise, who has been working with video synthesis since the 1970s!

Michael Masaru Flora, my former classmate at Alfred and fellow audiovisual artist, helped us set up the event. He's now the Executive Director at Indexical! I'd heard lots of good things about this venue, so it was cool to finally get to be there in person.

We had a great turnout. Most of the folks who came were somehow associated with UC Santa Cruz. We had a record number of video game developers. The event was a combination of an artist talk and a workshop, beginning with each of us sharing about our art practice and demonstrating some techniques, and ending with an interactive opportunity to explore our tools.

Much gratitude to Allen, Denise, and Michael. We look forward to visiting Santa Cruz again!

Allen Riley presenting Folks exploring video art 1 Folks exploring video art 2 Folks exploring video art 3 Denise Gallant documentary screening Andrei and me talking