I wanted to post something like this around New Year's, but I
missed the window where I could publish it without mention of
my lateness. But I have a good excuse: I was fully in the
middle of moving! As of January 1st, we are officially leasing
a lovely apartment in New Haven, CT.
Even though 2025 is already well underway, I'm taking a moment
to reflect on the past year. Here are some of the things I did
in 2024:
Rebuilt my artist website (the one you're looking at now!)
to use 11ty, a static site generator. It was a lot of work,
but the effort I put in will make maintaining and updating
this site about 1000% easier. (More about this in the
colophon.)
Attended my fourth vipassana meditation retreat, and
completed a 100-hour meditation teacher training program. I
haven't taught any meditation classes yet, but the things I
learned have helped me deepen my meditation practice.
Taught my first college course as an adjunct professor:
Intro to Animation at Hamilton College. (I actually
taught two sections, so my first two college classes!) This
was a wonderful experience for me, and I hope to get more
opportunities to teach again in the future.
Taught two online classes through
Polyphase Portal: one about HTML & CSS, and one about video feedback.
Each one met weekly for a month. I preferred teaching IRL,
but it was cool to be able to include folks from outside my
local area.
Lived in various free and inexpensive alternative spaces in
the forests of Upstate New York, including a few months of
house-sitting, a converted barn, and most recently, a
30-foot yurt. Although I've decided to move back to a more
urban area, I really enjoyed getting to spend more time in
nature, regularly being in the presence of waterfalls, cool
rocks, and all sorts of animals.
Survived another year without a full-time job.
Saw a total solar eclipse for the second time in my life.
Attempted to go on a summer road trip that was aborted quite
early on.
Built a shed on my parents' property. This was my largest
solo woodworking project to date.
Played 4 shows, co-led 2 video art workshops, and did an art
installation, a group show, an artist talk, and 2
presentations at
open source meetings.
Compared to 2023, when we spent 5 months driving across the
U.S. in a van, I spent almost all of this year in one area
(New York State). But it has felt like just as much of a
strange, meandering journey as the last year did. And while I
still haven't quite landed somewhere that feels like a
long-term, sustainable lifestyle, I feel like I'm moving in
the right direction, fumbling towards a balance between my
sometimes-conflicting needs for freedom and structure, for
unhurried time and financial stability, and so forth.
I don't know exactly what happens next, but I'm curious to
find out. So onward into 2025, and whatever this weird
timeline we all inhabit holds for us next.
On Friday, December 13,
Andrei
and I visited our friend
Anna Oxygen's TV Club class at Hamilton College (where I'm also teaching
Intro to Animation this semester). TV Club is a class Anna
created for the Digital Arts program that gives students the
opportunity to explore video art, livestreaming, and
performance. For their final episode of the fall 2024
semester, we provided an analog video art playground, and
livestreamed its output as we walked the students through the
setup and then let them experiment with it.
Here is an abridged cut of the episode; the full length stream
is archived on the Hamilton TV Club
Youtube Channel.
Since I launched my Zine Club project
this past spring, I've been mailing out an edition of Mystery
Objects every 2 months. The goal is to surprise people with
the contents of their packages, so I try not to post any
images of the Objects until after they've reached their
recipients. Now that the Club has been running for a while, I
can share a bit about the first few Objects I've created.
My very first Mystery Object was actually three objects - a
set of stickers, based on my drawings of three "Exquisite
Machines."
The second Mystery Object was a foil postcard print. The
abstract designs were created digitally, and the asemic
"text" captions are a fictional writing system from
a world-building project I started in the quarterly e-zine
that I had just published the month before, titled
Self-Same Life Forms of Aritana Occ.
I liked how the silver foil came out, the way that the
metallic ink protrudes slightly from the card, and how the
spreading of the ink gives the lines a more liquid, blobby
quality. There is a subtle gradient in the background, which I
think ended up being a bit too dark to notice.
Also, I was experimenting with creating a print that was also
a postcard; the other side was stamped and addressed. But the
cards ended up being a bit fragile, and scuffs from passing
through the mail system were very visible on the matte
cardstock. In the future, if I make small printed cards, I
will enclose them inside of envelopes instead of sending them
out into the world naked.
The third Mystery Object was a set of 16 printed cards called
The Life Cycle of Aritanian Flowers. In the accompanying info card, I suggested that these were
flashcards created for students learning about the stages of
growth and reproduction of a fictional type of plant found in
Aritana Occ. The idea thus far with the world-building project
of Aritana Occ is that it is a dimension occuped by fractal
(or "self-similar") life forms. All of the images on
the cards are drawings based on frames of video feedback.
I printed these cards myself, and I also cut them down and
punched the rounded corners. Since I was making over 20 sets
in a variety of paper colors, I ended up having to print and
cut several hundred cards, and the process took a bit longer
than expected. In the future, I probably won't do this again
by hand, but I was pleased with how they came out. I thought
that perhaps the cards could also be used for divination, and
some of the recipients seemed to share that idea and took
photos of them arranged in tarot-like spreads.
Addendum: visit
this page
to see all of the cards and find information on how to print
your own deck.
The most recent Mystery Object that I sent out was
manufactured using the process for creating printed circuit
boards (PCBs). However, the designs on the board are entirely
abstract and serve no electronic function whatsoever. As an
electronic artist and tinkerer, I've come across some projects
that take advantage of the medium of circuit boards as an art
form, and I wanted to experiment with making something like
that myself.
I was vaguely aware of the process of designing a circuit
board, creating gerber files, and getting them made through an
online service, but I had never done it before. I downloaded
Kicad
and learned a bit about the different layers that comprise a
PCB: the fiberglass board, the conductive copper layer, the
colored solder mask, immersion gold, and white silkscreen, as
well as the board outline, which can be any shape. I designed
the layers so that they would create a cohesive pattern, with
copper, gold, and white silkscreen on one side, and the other
side white silkscreen only.
The dark blue solder mask I chose ended up being very opaque,
so the additional layer of copper underneath the solder mask
wasn't really visible, but you can kind of see it in the form
of a slightly embossed edge around the "Discordian
Knot" design. The resulting object was very satisfying to
hold, and also quite durable, as I've been using it as a
keychain for a few weeks now. I learned a lot from this
project, and I hope to create more PCBs-as-art-objects in the
future.
Here is a video I made of a few of these Objects so you can
see them existing in time and space:
So, that brings us up to date on the latest Mystery Objects,
at least until I send out the next batch in December. Creating
these Objects and snail-mailing them out to people around the
world has brought me a lot of pleasure. If you're interested
in receiving strange Objects like these in your mailbox
periodically, check out the link below and consider becoming a
Zine Club Member. The more people join, the more time I can
spend creating weird art.
In August, I performed live visuals for two shows in the
Hudson Valley. The first one was on August 21 at
The Avalon Lounge
in Catskill, NY, where my video projections augmented the
music of two electroacoustic duos:
Lunar Slopes
(Snark & Jeff Rieger), who are local to the Hudson Valley,
and
Matthew Ryals
and
Stephan Haluska, who were on tour together and who hail from NYC and
Cleveland, respectively. It was great to return to this lovely
and welcoming venue, and to get the opportunity to collaborate
with friends, old and new. Here are few scraps of video
footage from this show:
The second show, which I helped organize, was held at a
private space in Kingston, NY. I performed visuals for sets by
Snark
(who also helped organize the show),
The Spookfish, and
headfullofhammers. Bungey Colle, another co-organizer, was sadly unable to
make it to perform.
On Tuesday, June 18, I gathered with a few friends in an
outdoor space behind a small gray barn which I helped renovate
over the spring. As part of a party taking place that night,
we set up a projector screen and a PA and brought out some
music and video gear for a jam session that lasted well into
the night. I pulled the excerpt below from our session, which
features
Snark
on saxophone and electronics,
ShmOoOo
on synths and samplers, and
Ben Kujawski
on guitar, as well as myself on visuals. It was a memorable
evening, and I look forward to my next opportunity to perform
video synthesis outdoors.
